Love's Labor's Lost (The Pelican Shakespeare) by William Shakespeare

By William Shakespeare

"I think that i've got spent part my occupation with one or one other Pelican Shakespeare in my again pocket. comfort, notwithstanding, is the least very important element of the recent Pelican Shakespeare sequence. this is a sublime and transparent textual content for both the examine or the practice session room, notes the place you would like them and the prestigious scholarship of the final editors, Stephen Orgel and A. R. Braunmuller who keep in mind that those are performs for functionality in addition to nice texts for contemplation." (Patrick Stewart)

The extraordinary Pelican Shakespeare sequence, which has offered greater than 4 million copies, is now thoroughly revised and repackaged.
Each quantity features:
* Authoritative, trustworthy texts
* prime quality introductions and notes
* New, extra readable alternate trim size
* An essay at the theatrical international of Shakespeare and essays on Shakespeare's lifestyles and the choice of texts

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Extra resources for Love's Labor's Lost (The Pelican Shakespeare)

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Martin Amis’s Money (1984), set in 1981–2, is a transatlantic satire of the emerging Reagan–Thatcher era and its mood of acquisitiveness. The protagonist’s name, John Self, proclaims the intention to make him representative of the period. He shuttles between London and New York in the process of making a movie, and leading a hedonistic lifestyle on apparently inexhaustible funds. Self is a gross figure, ‘addicted to the twentieth century’ (p. 91), and most particularly to alcohol, pornography, and his own misogynistic world-view.

There are disillusionments for her as well, but in her relatively modest aspirations to be a brilliant lecturer with The State and the Novel 33 no desire to publish, the novel might seem to advocate a kind of quietism. 35 When Esther’s upstairs neighbour is arrested as the Harrow Road murderer, media attention forces her to sell her flat. In retreat from the social connectivity the episode demonstrates, she then decides to move to Italy. The novel, in fact, is an enactment of Alix’s perception of ‘the social structure’ as ‘a vast web, a vast network’ in which ‘we are all but a part of a whole which has its own, its distinct, its other meaning’ (pp.

The earth deepens to a more profound red. The sun bleeds, the earth bleeds. The sun stands still. (p. 396) The stasis of this conclusion embodies a curious ambivalence in which the progression from radiance to an image of blood and suffering is interrupted by the checked sunset. It is the narrator’s artifice, in effect, that arrests the characters’ attention, and that underscores the difficulty of weaving a cohesive social web or network in fiction. This challenging ending achieves in miniature that which the novel attempts as a whole.

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