By Jean-Louis Cohen
Synopsis from Amazon:
Produced at a fee of ﬁve billion cubic yards in step with yr, concrete is the second one most generally ate up substance in the world, after water. it truly is ubiquitous and simply taken without any consideration because the stuff of sidewalks and roads, strength crops and parking garages. Concrete can also be, besides the fact that, a well-liked fabric of state of the art architects and engineers, who worth not just its versatility and energy yet its limitless strength for imaginitive expression. A hybrid substance made up of cement, water, sand, and mineral aggregates, concreteor liquid stonehas no intrinsic shape. within the arms of gifted designers, its final visual appeal is dictated by way of the framework into which it really is poured and the colour, texture, or development utilized to its floor.
In a sequence of essays through most sensible architects, engineers, and students, Liquid Stone explores the character of concrete, its earlier and destiny, from technical, creative, and ancient views. Over thirty constructions via top overseas architects together with Jean Nouvel, Herzog & de Meuron, Zaha Hadid, Steven Holl, Norman Foster, and Santiago Calatrava are awarded via unique descriptions, photos, and technical drawings.
The publication concludes with "The way forward for Concrete," a bankruptcy on newly rising fabrics. the following self-consolidated, ultra-high-performance, and translucent concrete are illustrated, introducing the following iteration in concrete expertise and suggesting new instructions for either structure and engineering.
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Extra info for Liquid Stone: New Architecture in Concrete
2 Tim Benton, “From Jeanneret to Le Corbusier: Rusting Iron, Bricks, and Coal and the Modern Utopia,” Massilia 3 (2003): 28–39. 3 “Fünf Punkte einer neuen Architektur,” in Alfred Roth, Zwei Wohnhäuser von Le Corbusier und Pierre Jeanneret (Stuttgart: F. Wedekind & Co, 1927). 4 Bruno Reichlin, “the Pros and Cons of the Horizontal Window: The Perret-Le Corbusier Controversy,” Daidalos 13 (September 1984): 71–82. 5 Manuscript held in the Perret Archive, Institut Français d’Architecture, Paris. 6 Philip Johnson and Henry-Russell Hitchcock, The International Style: Architecture since 1922 (New York: W.
Carboard, plaster? It is said it is in concrete? ” Marie Dormoy, “Le Faux béton,” L’Amour de l’art, April 1929, 128. 22 Giedion, Building in France, 152. : MIT Press, 1995): 106–20. 24 S. de Mollins to Wilhelm Ritter, 14 March 1899, quoted by Simonnet, Le Béton, 67. , published several concrete theaters built in Los Angeles, including Grauman’s Metropolitan Theater. See his The Ferro-Concrete Style, 74–77. 26 He himself designed an advertisement in his Almanach d’architecture modern (Paris: G. p.
This microhistory of concrete architecture draws attention to how very discontinuous each of the major developments in concrete has been. Rather than learning from each development, we seem to develop each new principle just so far and then abruptly abandon it and set off on some wholly new trajectory. The theory of structural rationalism held that architecture developed progressively toward the refinement and perfection of structure—but with concrete, we have a field littered with truncated techniques.