By Anthony Vidler
This can come down as Vidler's top serious paintings on smooth structure and the historicization of the trendy circulate. via a severe dialogue of the parcours of those 4 significant historians [Kaufmann, Rowe, Banham and Tafuri], and through default theoreticians of contemporary structure, Vidler successfully specializes in the 'faultlines' of the present architectural 'crisis', arguing, like Habermas ahead of him, for a renewed engagement with the architectural venture of Modernity, in response to those serious readings that reaffirm the function of heritage. the realization might seem to a couple as a section too confident, suggesting for example that the paintings of Corbusier and Koolhaas come below a similar umbrella, yet this doesn't remove from the significance of this e-book as one of many few major fresh theoretical courses.
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Extra info for Histories of the Immediate Present: Inventing Architectural Modernism
However, as Schapiro noted in his brief obituary in 1953, Kaufmann was unable to obtain a regular academic post (no doubt a result of Viennese anti-Semitism) and was obliged to work in a bank for much of his early career. His Wrst major article, written in 1920 and published in the Repertorium für Kunstwissenschaft in 1924 (alongside another ground-breaking architectural study by Paul Zucker, “Der BegriV der Zeit in der Architektur”), outlined the bases for his study of late eighteenth-century architecture by dividing a period generically known as “classic,” albeit in a late moment, into two.
History was at once source, veriﬁcation, and authorization. Among the ﬁrst to criticize this “instrumental” use of history was Manfredo Tafuri, who, trained as an architect and planner, had begun his career as a historian by assessing the present state of modern historiography. ”15 Here, in his rigorous refusal of those who posed as the “Vestals” of the modern movement and his insistence on the historicization of the very instruments of criticism themselves, Tafuri attempted a demythologization of history, as complete as that assumed by his intellectual mentor Max Weber early in the twentieth century.
45 From Kant to Le Corbusier Autonomy of the will is the sole principle of all moral laws and of duties in keeping with them; heteronomy of choice, on the other hand, not only does not ground any obligation at all but is instead opposed to the principle of obligation and to the morality of the will. —Immanuel Kant, Critique of Practical Reason The connection that Kaufmann sought between architecture and philosophy, and ultimately between Ledoux and Kant, was provided and historically grounded by Ledoux’s reading of Rousseau.