By Erika Kuijpers, Cornelis van der Haven
This booklet explores adjustments in emotional cultures of the early smooth battlefield. army motion contains amazing modes of emotional adventure and affective keep an eye on of the soldier, and it conjures up robust emotional reactions in society at huge. whereas emotional reports of actors and observers may perhaps fluctuate greatly, they could even be tightly attached via social interplay, cultural representations and mediatisation. The ebook integrates mental, social and cultural views at the battlefield, emotional behaviour, expression and illustration in an outstanding number of basic resource fabric. In 3 steps it discusses the emotional practices within the military, the emotional studies of the person combatant and the sentiments of the mediated battlefield within the visible arts.
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Additional info for Battlefield Emotions 1500-1800: Practices, Experience, Imagination
Ordering Emotions in Europe, 1100–1800 (Leiden; Boston: Brill, 2015); Erika Kuijpers and Judith Pollmann, ‘Why Remember Terror? Memories of Violence in the Dutch Revolt,’ in Ireland 1641: Contexts and Reactions, edited by Micheál Ó Siochrú and Jane Ohlmeyer (Manchester: 20 E. KUIJPERS AND C. , Cahiers d’Humanisme et Renaissance 79 (Paris: Erudist, 2007). 19. Monique Scheer, ‘Are Emotions a Kind of Practice (And Is That What Makes Them Have a History)? A Bourdieuian Approach to Understanding Emotion,’ History and Theory 51 (2012): 193–220, 197; See also: Jan Plamper, The History of Emotions: An Introduction (Oxford: Oxford University Press, 2015), 265–70.
On emotions in Dutch seventeenth-century tragedies, see Jan Konst, Woedende wraakgierigheidt en vruchtelooze weeklachten: De hartstochten in de Nederlandse tragedie van de zeventiende eeuw (Assen and Maastricht: Van Gorcum, 1993), 126–7. 34. ’ 209. 35. ’ 209. 36. Van Paffenrode, Der Griken en Romeynen Krygs-Handel, 294–300. Pieter Corneliszoon Hooft, Achilles en Polyxena, ed. J. van der Heijden (Zutphen: Thieme, 1972), 55–9. 38. Hooft, Achilles en Polyxena, 57 (334). ‘Patroclus blijfft. ’ Hooft, Achilles en Polyxena, 59.
14. ’ Niccolò Machiavelli, The Art of War, trans. ]: The Library of Liberal Arts, 1965), 93. 15. Machiavelli, The Art of War, 75. 16. Walker, ‘Arms and the Man,’ 140. 17. Walker, ‘Arms and the Man,’ 143. 18. Walker, ‘Arms and the Man,’ 146. 19. Harari, The Ultimate Experience, 115. 20. Harari, The Ultimate Experience, 115. 21. See Chap. 11 by Lisa De Boer and Ann Jensen Adams, ‘The Three-Quarter Length Life-Sized Portrait in Seventeenth-Century Holland: The Cultural Functions of “Tranquillitas”,’ In Looking at Seventeenth-Century Art: Realism Reconsidered, ed.