1960, following because it did the final CIAM assembly, signalled a turning aspect for the fashionable move. From then on, structure was once stimulated by way of seminal texts through Aldo Rossi and Robert Venturi, and gave upward push to the 1st revisionary circulate following Modernism. Bringing jointly top specialists within the box, this publication offers a entire, severe assessment of the advancements in structure from 1960 to 2010. It contains components: the 1st part delivering a presentation of significant events in structure after 1960, and the second one, a geographic survey that covers a variety of territories all over the world. This booklet not just displays different views of its a variety of authors, but additionally charts a center path among the 'aesthetic' histories that learn structure exclusively by way of its formal elements, and the extra 'ideological' histories that topic it to a critique that frequently skirts the dialogue of its formal features.
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Additional info for A Critical History of Contemporary Architecture: 1960-2010
181. See also Harwell Hamilton Harris’s 1954 essay “Regionalism and Nationalism,” which can be found in Harry Francis Mallgrave’s Architectural Theory, vol. 2 (Malden, MA: Blackwell Publishing), 288–9. 44 James Stirling, “Regionalism and Modern Architecture,” Architects’ Year Book 7 (1957), reproduced in Ockman, Architecture Culture, 248. Stirling was quoting British writer John Wain. 45 James Stirling, “Regionalism and Modern Architecture,” Architects’ Year Book 7 (1957), reproduced in Ockman, Architecture Culture, 248.
Page (eds) (Chicago: Planners Press, 2011), 15. 6 Max Risselada and Dirk van den Heuvel’s Team 10: In Search of a Utopia of the Present (Rotterdam: NAi Publishers, 2005) is an essential work for understanding architecture culture of the 1950s, ’60s, and ’70s. 7 Oscar Newman, CIAM ’59 in Otterlo (Stuttgart: Karl Kramer Verlag, 1961), 16. See also Joan Ockman, Architecture Culture 1943–1968: A Documentary Anthology (New York: Columbia Books of Architecture/Rizzoli, 1993), 13–24; and Eric Mumford, The CIAM Discourse on Urbanism, 1928–1960 (Cambridge, MA: The MIT Press, 2000), 248.
23 By 1936, Leicester B. 25 The end of World War II was a turning point, as functionalism seemed associated with mechanization and thus the destruction wreaked in Europe and Asia. 28 As indicated by the continuity of the debate, functionalism was not abandoned in the 1950s or ’60s. “Contemporary” architecture would emerge from its reformulation. ”29 The process, which was a crisis because it required revisiting the prevailing definitions of modern architecture and coming to terms with the failures of urban theory, involved the reconsideration of such important but neglected topics as history, popular culture, regional traditions, and the city.